Tips For Choosing The Best Print Size

Choosing the right print size for your wall can transform a space, turning a simple room into a stunning showcase of art and personality. Wherever you’re hanging the picture the size of your print plays a crucial role in the overall aesthetic. Here’s a step-by-step guide to help you select the perfect print size for your wall.

Yacht In A Storm as a framed A1 print in a bedroom.

1. Measure Your Wall Space

Before ordering a print, measure the wall area where you plan to hang it. Use a tape measure to determine the width and height of the available space. Consider the following:

  • Wall Width: Measure the total width of the wall.
  • Furniture Placement: Note the location of furniture such as sofas, beds, or cupboards. Artwork should complement the furniture around it.
  • Ceiling Height: Standard ceiling heights are 2.5 to 3.5 meters, but this can vary. The centre of your print should generally be at eye level, about 150cm from the floor.

**Pro Tip:** Use masking tape to outline the potential print size on the wall. This visual guide helps you see how different sizes will look before making a purchase.

2. Consider the Room’s Purpose

The function of the room can influence the ideal print size:

  • Living Room: Larger prints or gallery walls work well in spacious living areas.
  • Bedroom: Medium to large prints above the bed or dresser create a focal point.
  • Hallway: Smaller prints or a series of smaller prints can guide the eye through the space.
  • Office or Study: Medium-sized prints or a grid of smaller prints can inspire without overwhelming.

3. Determine the Best Scale

The size of your print should be proportional to the wall and surrounding furniture:

  • Above a Sofa or Bed: The print should be about 2/3 the width of the furniture. For example, if your bed is 150cm wide, look for a print around 100cm wide.
  • Standalone Wall: For a large, empty wall, a single oversized print or a gallery arrangement can make a bold statement.
  • Small Walls: Opt for smaller prints or a vertical orientation to maximise space.

General Rule of Thumb:

  • Small prints (A4 or 11×14 inches) work for narrow walls or as part of a gallery.
  • Medium prints (A3/A2 size) are versatile for most spaces.
  • Large prints (A1 size) are ideal for making a dramatic impact in larger rooms.
Some small prints can even be mounted in frames for free standing on furniture.

4. Think About Viewing Distance

How far viewers will stand from the print affects the ideal size:

  • Close Viewing (e.g., hallway): Smaller prints with fine details.
  • Medium Viewing (e.g., living room): Medium to large prints.
  • Far Viewing (e.g., large open space): Large prints, or a gallery of medium to large prints.

5. Choose the Right Orientation

  • Horizontal (Landscape): Best for wide walls or above long pieces of furniture.
  • Vertical (Portrait): Ideal for narrow walls or tall spaces.
  • Square: Works well in modern or symmetrical arrangements.
An A4 portrait format print hanging in a narrow space.

6. Frame and Mat Considerations

Frames and mats add to the overall dimensions of your print. If you plan to frame your artwork, account for the extra width and height:

  • Mats: Typically add 2-4 inches to each side.
  • Frames: Add 1-3 inches to each side, depending on the style.

7. Create a Gallery Wall

If you’re arranging multiple prints, plan the layout first:

  • Spacing: Keep 2-3 inches between each print for a cohesive look.
  • Consistency: Use similar frame styles or colours for a unified appearance.
  • Balance: Mix sizes, but keep the largest print as the focal point.
Three A4 prints that would work well together on a gallery wall.

8. Test Before You Hang

Before committing to a size, take a photo of the space you want the print to go, and send it to me with measurements. I’ll mock up a framed print hanging on your wall and send it back to you, so you can see for yourself.

9. Common Print Sizes and Their Best Uses

Print Size Best For

  • A4, 11×14       Small walls, shelves, or gallery walls
  • A2, A3        Above furniture, medium-sized walls
  • A2, A1       Large walls, statement pieces

10. Trust Your Instincts

Ultimately, the best print size is the one that feels right to you. If a particular size speaks to you and fits your space, go for it! Art is personal, and your wall should reflect your unique style and taste.

Final Tips

  • Start Small: If you’re unsure, begin with a medium-sized print and build around it.
  • Mix and Match: Combine different sizes for a dynamic, eclectic look.
  • Professional Help: Consider consulting an interior designer for complex arrangements or large spaces.

By following these guidelines, you’ll be well on your way to choosing the perfect print size for your wall, creating a space that’s both beautiful and meaningful. 

Ready to start personalising your space? Send me a photo of the area you want to put the framed print, and I’ll send you back a mock up.

Stay in touch to get more information like this ??

Until next time…

:D

The 2025 Swan Upping – A Better Year?

The annual Swan Upping event on the River Thames, started on Monday at Sunbury Lock in Surrey. I grabbed my camera, jumped on my bike again and followed the flotilla on the first leg, through to the Swan pub in Staines.

The Annual Swan Upping 2025, Chertsey, Surrey, July 14, 2025. ©Douglas Kurn
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Operation Dynamo-Dunkirk Little Ships 85th Anniversary Crossing

Today is the 85th anniversary of Operation Dynamo, the evacuation of British & Allies soldiers from the beaches of Dunkirk. The British Admiralty requisitioned privately owned pleasure cruisers to shuttle evacuees from the beaches to the waiting battle ships. They aimed to evacuate 20,000-30,000 troops, but ended up rescuing over 300,000, which gave a major boost to the British moral, leading to the coining of the phrase “Dunkirk Spirit”.

Over 60 Little Ships set off from Ramsgate this morning (May 21, 2025) heading to Dunkirk for this anniversary crossing, the first for ten years, as COVID put paid to the 80th anniversary in 2020. Sadly, this is the first crossing that won’t feature any veterans of the war.

Detail shot of Breda, the Dunkirk Little Ship at The 42nd Thames Traditional Boat Festival in Henley-on-Thames, Oxfordshire. Photo by Douglas Kurn

I am fortunate that many of the remaining Little Ships are located along the River Thames near to where I live, and indeed there is a renowned boat builder which specialises in wooden boats, particularly Dunkirk Little Ships, just a couple of miles away from my home. One of my neighbours actually owns the Lady Of Mann, a life boat from a liner, that made the crossing in 1940 and rescued one of Charles De Gaulle’s inner circle.

Lady Of Mann, a Dunkirk Little Ship moored on the River Thames at The 43rd Thames Traditional Boat Festival in Fawley Meadows, Henley-on-Thames. Photo by Douglas Kurn

Over the years I have managed to photograph the boats on the water, as well as the people and the work that goes on behind the scenes.

Breda is an exceptional example of a restored Little Ship, and the dedication of the owner to the restoration project was demonstrated by the sale of his home to fund the restoration!

Detail shot of Breda, the Dunkirk Little Ship at The 42nd Thames Traditional Boat Festival in Henley-on-Thames, Oxfordshire. Photo by Douglas Kurn
Detail shot of Breda, the Dunkirk Little Ship at The 42nd Thames Traditional Boat Festival in Henley-on-Thames, Oxfordshire. Photo by Douglas Kurn
Detail shot of Breda, the Dunkirk Little Ship at The 42nd Thames Traditional Boat Festival in Henley-on-Thames, Oxfordshire. Photo by Douglas Kurn
Detail shot of Breda, the Dunkirk Little Ship at The 42nd Thames Traditional Boat Festival in Henley-on-Thames, Oxfordshire. Photo by Douglas Kurn
Breda, the National Historic Ships UK Flagship of the Year, 2021, on the River Thames in Egham, Surrey during the Association Of Dunkirk Little Ships Veterans Cruise 2021. Photo by Douglas Kurn
Alain Lamens skippers Breda on the River Thames in Staines-upon-Thames, Surrey during the Association Of Dunkirk Little Ships Veterans Cruise 2021. Photo by Douglas Kurn

I wasn’t able to get to either Ramsgate or Dunkirk, due to work commitments, but I did see some of the Little Ships making their way along the River Thames to Ramsgate.

Gay Venture, one of the Dunkirk Little Ships, sails along the River Thames at Kingston-upon-Thames, Surrey, en route to Ramsgate for the 85th Anniversary Of Operation Dynamo, May 16, 2025. ©Douglas Kurn

Gay Venture is owned by Stephen Dennett who runs Michael Dennett boatbuilders, and you can see photos I took of them and their work in their workshop in this pdf here.

I have been following the progress of the crossing which seems to have been successful (it is always weather dependent), and there will be a ceremony with lots of dignitaries to mark the occasion.

With the passing of the people involved in the evacuation, it is important that the memory is retained, and the restoration and upkeep of the Dunkirk Little Ships by skilled workers and dedicated owners, is a direct link to this remarkable event, after which Churchill’s famous “we shall never surrender” speech was made.

Sweating The Details- The Art Of Great Photographic Prints

It all ends with the click of a button…” was a comment I heard about photography, at the Private View of my recent exhibition. This is a common misconception, so I thought I would walk through the various stages of how I go about creating art prints for the print gallery.

Black and white photo of a waterfall
©Douglas Kurn

I’m going to use this photo, which I took recently when I was out on a recce, as an example image. I should start by saying that there are plenty of things that I would do differently in this photo, if my original aim was to go and create a fantastic photograph of this waterfall. I made this photo purely because I had climbed down the cliffs to get there, and I may return someday at a better time and with a more structured approach.

This above is the final, print ready, image, so let’s take a look at how I got there…

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How terrified would you be launching yourself off a cliff?

I came across these paragliders, down by the coast a couple of weeks ago, and watched in awe as they took off around me. I like to keep my feet firmly on the ground so could only admire them as they jumped off the cliff, with only a big sheet to keep them from crashing into the rocks and sea below!

©Douglas Kurn
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All Eyes On Me At The Private View

It was great to get a chance to talk and answer questions about my work, at the Private View for my exhibition at the Guildford Institute last week. 

I spend a lot of time on my own creating the photographs with certain ideas in mind, so being able to explain the thought process and the actions I had to take as a result of changes to the subject, as well as reliving how I felt at the time of capturing the atmosphere, felt quite liberating.

Photo: Hazel Watters
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Join Us for an Exclusive Art Exhibition Event

The Private View for my exhibition with Stephen Kinder, landscape painter, is on this Thursday (February 13th) at the Guildford Institute in Surrey.

Here’s why you should come:

* Meet the artists – we’ll both be there and giving short presentations

* It’s all about affordable art

* 30% of all sales goes to charity

* It’s on just before Valentine’s Day

* It’ll be fun!

New Exhibition To Start 2025

I’m delighted to share details of my new exhibition, that will he held from February 10th through March 17th at The Guildford Institute, in Guildford, Surrey.

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The Monks Return For The Great Blessing

Once again, on the Epiphany, the Saint Edward Brotherhood Monks returned to my home town of Chertsey for the Great Blessing Of The Waters.

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Great Support For The Men’s Olympic Road Race

We were lucky to have two of the London 2012 Olympic events take place in Surrey, and the Men’s Road Race was equally as well supported as the Time Trial. I once again I grabbed my camera, jumped on my bike, this time accompanied by Mrs Doug, and followed the River Wey to Byfleet, where the road race crossed over the M25 (via a bridge.)

Read on to see more photos, and to find out how my wife ended up as “pacesetter” for the Men’s race.

Spectators at the London 2012 Olympic Cycle Road Race, Byfleet, Surrey, 28/07/2012. ©Douglas Kurn
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