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Exhibition

All Eyes On Me At The Private View

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It was great to get a chance to talk and answer questions about my work, at the Private View for my exhibition at the Guildford Institute last week. 

I spend a lot of time on my own creating the photographs with certain ideas in mind, so being able to explain the thought process and the actions I had to take as a result of changes to the subject, as well as reliving how I felt at the time of capturing the atmosphere, felt quite liberating.

Photo: Hazel Watters
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Edition 365 Awards & Exhibition

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I’m super excited to announce that not one but two of my photos have been selected as part of the Edition 365 Awards, run by the British Journal Of Photography. Edition 365 is a historical award that was conceived to capture one day of every single day for a whole year starting on 11th March 2020, which was the day that the World Health Organisation (WHO) officially declared a global pandemic as a result of COVID-19.

The crescent of the moon above the chimney pots of a house. This image is from the project Lockdown:LookUp, a series of photographs created during the first national Coronavirus pandemic lockdown in England during 2020, which focusses on the environmental effect of living under the normally busy Heathrow flightpath. Photo by Douglas Kurn
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Portrait Salon

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I sometimes question myself and my reasoning when I am out and about shooting personal work (that’s work I shoot just for myself with no third party brief and, no pay). It usually involves people I’ve met or approached who I think would make for an interesting portrait. My self doubt arises, usually when it’s cold, dark, wet and miserable and I’m lugging my gear around on my own (which I do for most of my personal work – it keeps me grounded by reminding me what it’s like to be an assistant again). It’s often further exacerbated when my subject asks me why I want to take their photo and what am I going to do with it? The very lovely Mrs Griffiths even went as far as to say that I couldn’t be a very busy photographer as nobody would want to buy her picture!

Portrait of Mrs Griffiths, who was part of my 28 Days In February project.
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Life In A Dark Shed

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I’ve often wandered past a tin shed behind some gates, and wondered what was inside. One day I went inside and met Trevor, who has worked there since the age of 14. His Father worked there too, up until 4 weeks before he passed away at the age of 94. With all the welding, drilling and cutting that goes on there is a lot of dust everywhere but Trevor says he is tidying it up. Whilst I was there we came across a letter from 1984, although Trevor said that he had found one from the 70’s recently!

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