Category Archives: Print Gallery

Tips For Choosing The Best Print Size

Choosing the right print size for your wall can transform a space, turning a simple room into a stunning showcase of art and personality. Wherever you’re hanging the picture the size of your print plays a crucial role in the overall aesthetic. Here’s a step-by-step guide to help you select the perfect print size for your wall.

Yacht In A Storm as a framed A1 print in a bedroom.

1. Measure Your Wall Space

Before ordering a print, measure the wall area where you plan to hang it. Use a tape measure to determine the width and height of the available space. Consider the following:

  • Wall Width: Measure the total width of the wall.
  • Furniture Placement: Note the location of furniture such as sofas, beds, or cupboards. Artwork should complement the furniture around it.
  • Ceiling Height: Standard ceiling heights are 2.5 to 3.5 meters, but this can vary. The centre of your print should generally be at eye level, about 150cm from the floor.

**Pro Tip:** Use masking tape to outline the potential print size on the wall. This visual guide helps you see how different sizes will look before making a purchase.

2. Consider the Room’s Purpose

The function of the room can influence the ideal print size:

  • Living Room: Larger prints or gallery walls work well in spacious living areas.
  • Bedroom: Medium to large prints above the bed or dresser create a focal point.
  • Hallway: Smaller prints or a series of smaller prints can guide the eye through the space.
  • Office or Study: Medium-sized prints or a grid of smaller prints can inspire without overwhelming.

3. Determine the Best Scale

The size of your print should be proportional to the wall and surrounding furniture:

  • Above a Sofa or Bed: The print should be about 2/3 the width of the furniture. For example, if your bed is 150cm wide, look for a print around 100cm wide.
  • Standalone Wall: For a large, empty wall, a single oversized print or a gallery arrangement can make a bold statement.
  • Small Walls: Opt for smaller prints or a vertical orientation to maximise space.

General Rule of Thumb:

  • Small prints (A4 or 11×14 inches) work for narrow walls or as part of a gallery.
  • Medium prints (A3/A2 size) are versatile for most spaces.
  • Large prints (A1 size) are ideal for making a dramatic impact in larger rooms.
Some small prints can even be mounted in frames for free standing on furniture.

4. Think About Viewing Distance

How far viewers will stand from the print affects the ideal size:

  • Close Viewing (e.g., hallway): Smaller prints with fine details.
  • Medium Viewing (e.g., living room): Medium to large prints.
  • Far Viewing (e.g., large open space): Large prints, or a gallery of medium to large prints.

5. Choose the Right Orientation

  • Horizontal (Landscape): Best for wide walls or above long pieces of furniture.
  • Vertical (Portrait): Ideal for narrow walls or tall spaces.
  • Square: Works well in modern or symmetrical arrangements.
An A4 portrait format print hanging in a narrow space.

6. Frame and Mat Considerations

Frames and mats add to the overall dimensions of your print. If you plan to frame your artwork, account for the extra width and height:

  • Mats: Typically add 2-4 inches to each side.
  • Frames: Add 1-3 inches to each side, depending on the style.

7. Create a Gallery Wall

If you’re arranging multiple prints, plan the layout first:

  • Spacing: Keep 2-3 inches between each print for a cohesive look.
  • Consistency: Use similar frame styles or colours for a unified appearance.
  • Balance: Mix sizes, but keep the largest print as the focal point.
Three A4 prints that would work well together on a gallery wall.

8. Test Before You Hang

Before committing to a size, take a photo of the space you want the print to go, and send it to me with measurements. I’ll mock up a framed print hanging on your wall and send it back to you, so you can see for yourself.

9. Common Print Sizes and Their Best Uses

Print Size Best For

  • A4, 11×14       Small walls, shelves, or gallery walls
  • A2, A3        Above furniture, medium-sized walls
  • A2, A1       Large walls, statement pieces

10. Trust Your Instincts

Ultimately, the best print size is the one that feels right to you. If a particular size speaks to you and fits your space, go for it! Art is personal, and your wall should reflect your unique style and taste.

Final Tips

  • Start Small: If you’re unsure, begin with a medium-sized print and build around it.
  • Mix and Match: Combine different sizes for a dynamic, eclectic look.
  • Professional Help: Consider consulting an interior designer for complex arrangements or large spaces.

By following these guidelines, you’ll be well on your way to choosing the perfect print size for your wall, creating a space that’s both beautiful and meaningful. 

Ready to start personalising your space? Send me a photo of the area you want to put the framed print, and I’ll send you back a mock up.

Stay in touch to get more information like this ??

Until next time…

:D

Sweating The Details- The Art Of Great Photographic Prints

It all ends with the click of a button…” was a comment I heard about photography, at the Private View of my recent exhibition. This is a common misconception, so I thought I would walk through the various stages of how I go about creating art prints for the print gallery.

Black and white photo of a waterfall
©Douglas Kurn

I’m going to use this photo, which I took recently when I was out on a recce, as an example image. I should start by saying that there are plenty of things that I would do differently in this photo, if my original aim was to go and create a fantastic photograph of this waterfall. I made this photo purely because I had climbed down the cliffs to get there, and I may return someday at a better time and with a more structured approach.

This above is the final, print ready, image, so let’s take a look at how I got there…

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All Eyes On Me At The Private View

It was great to get a chance to talk and answer questions about my work, at the Private View for my exhibition at the Guildford Institute last week. 

I spend a lot of time on my own creating the photographs with certain ideas in mind, so being able to explain the thought process and the actions I had to take as a result of changes to the subject, as well as reliving how I felt at the time of capturing the atmosphere, felt quite liberating.

Photo: Hazel Watters
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Join Us for an Exclusive Art Exhibition Event

The Private View for my exhibition with Stephen Kinder, landscape painter, is on this Thursday (February 13th) at the Guildford Institute in Surrey.

Here’s why you should come:

* Meet the artists – we’ll both be there and giving short presentations

* It’s all about affordable art

* 30% of all sales goes to charity

* It’s on just before Valentine’s Day

* It’ll be fun!

New Exhibition To Start 2025

I’m delighted to share details of my new exhibition, that will he held from February 10th through March 17th at The Guildford Institute, in Guildford, Surrey.

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The Day Of The Dastardly Ducks

Another early morning and another sunrise shoot. This time I headed off to one of my favourite local locations, Chobham Common, although I went to an area I had not been to before. There’s always a risk in doing this as I went with no idea of what I would find, or if there would be anything worth photographing.

There was a certain amount of mist around, which is always a favourite subject of mine, but I struggled to find a composition that worked. Eventually I came across a large pond covered in lilies and, as sunrise was fast approaching, I opted to try and create an image from them.

A lily just starting to open before sunrise. Photo by Douglas Kurn
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Capturing The Beauty of Sunrise on Clean Air Day 2023

The alarm went off at 3:20am, and 12 minutes later I was on my bike heading towards Bushy Park, one of the Royal Parks, to see what sunrise would bring. As it was Clean Air Day, I decided that I would use zero emissions transport, which meant it took me around 50 minutes to get there, hence the early start, to be in time for sunrise.

Photo of the River Thames with swans sleeping on the surface, as the orange glow of the sun rising relfects off the water surface. The trees at the river edge are in silhouette.
Just before sunrise, over the River Thames, Walton Marina, Walton-on-Thames. Photo by Douglas Kurn

I mostly followed the route of the River Thames, from Weybridge to Hampton Court Palace, and one of the things I noticed was there are a lot of flies and midges around at that time of the morning! With it being dark, it wasn’t easy to see them, so my breathing was in through the nose, and out through the mouth. Only one got through!

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Nature Strikes Back – Breaking Through Old Concrete

One of the truly remarkable things about my Spirit Of Brooklands project, was the realisation that nature is incredibly resilient, and, when left to its own devices, could prosper after apparent destruction. You would think that the laying of 3 miles of 6 inch concrete, would bring an end to the chance of anything growing there, but as this photo shows, nature can break through, and even thrive. 

Night photo of leafless trees and bushes growing out of the former Brooklands Motor Racing track, taken against a deep blue night sky.
The Railway Straight, Brooklands Race Track
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Toy Stories at Brooklands

Continuing from my previous blog post Sunset OR Light Pollution.

Once I had decided that I wanted to continue with my Spirit Of Brooklands project, I then had to work out how to gain access. Now most of it is publicly accessible, but the land obviously belongs to someone, and if I wanted to publish the resulting photos, then I would need consent from the landowner.

The Railway Straight, Brooklands Race Track at night
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Sunset Or Light Pollution over Brooklands?

As we enter 2023, I realised that it was 15 years ago that I took the first photo that formed the basis of my Spirit Of Brooklands project. 

At the time, I had just bought a new camera which was meant to be good at long exposures, and I wanted to test it out. The darkest place I could think of was a banked section of the former Brooklands Motor Racing Circuit, where there was no artificial lighting, so would be pitch black after dark.

The Brooklands Byfleet Banking at night. with trees on either side, and what looks like a lovely orange sunset against a pink sky, but it is in fact light pollution from a nearby residential area.
The Byfleet Banking, Brooklands Race Track, by Douglas Kurn.
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