Brooklands Museum has its own TV show called Secrets Of The Transport Museum which is on Yesterday channel and is well worth a watch (it’s on catch up at UK Play TV too). Although my series of photographs, The Spirit Of Brooklands mainly focussed on its history as a motor racing circuit, Brooklands also played a significant part in the aircraft industry being a just in time manufacturing centre for aeroplanes during World War Two.
The hangar featured in this photo is a Bellman Hangar and was designed to be a temporary fixture when it was first located on the Finishing Straight of the racing circuit, but is now a grade II listed building. I shot this just before it was moved to another area of the site to become part of the aircraft factory.
How much detail is too much? Modern digital cameras capture a huge amount of information, and with a seemingly endless search for more Megapixels (Phase One make a 100MP camera back which produces a 300MB image!) I decided to go back to basics; no, not film but binary which is the basis of all digital systems including cameras. What is binary? Well it means there are only two states – on/off, yes/no, black/white, true/false or 0/1 in computing terms. As an example a simple light switch is binary as it is either on or it’s off (dimmers don’t count).
Binary people is an ongoing personal project where I create portraits, mostly in profile, but solely in black and white, and take that term literally; there are no shades of grey, just black or white!
Despite these images being described by only 2 states the people in them are clearly very individual and clearly recognisable as the people (and dogs!) they are.
When I was commissioned to photograph a pheasant shoot in North Wales, I had mixed feelings about it; I grew up in the countryside so knew about these things as well as some of the people involved, but I am also aware of people’s sensitivities towards this subject.
I was allowed to shoot some behind the scenes imagery with the head gamekeeper, which was an eye-opening experience and I was struck by how integral to the local economy this shoot was. The village pub’s survival was based on it and many local people worked on the shoot in various capacities outside of the shoot days.
There was an odd contradiction in the way the gamekeepers would spend months looking after the pheasants and their habitat, feeding them and providing clean water regularly, as well as protecting them from predators such as foxes and rats. The pheasants are given free rein in a large wood which is fenced off using wire netting, and again the ‘keepers patrol the fence daily to ensure that there are no breaches that would mean a fox may have got in to the wood. They would lay traps to catch rats and grey squirrels which eat the food that they put out for the birds, and to keep crows away who can eat the young birds (as well as attack lambs). The effects of the ‘keepers efforts generally help the survival of other non-game bird species, as well as helping lamb farmers protect their flock.
Although it’s not my job to judge things I certainly came away with an alternative perspective, but I still wouldn’t want to be a pheasant….
A while back I created some images as part of a personal project, called the Seven Deadly Sins. The idea was to use actors to portray the Seven Deadly Sins using only facial expressions. I had a lot of actors interested in taking part, and I shot it over a couple of weekends. I have mentioned this project to a couple of clients recently who have expressed an interest in seeing the results, so thought I would post them all together on the blog.
The Seven Deadly Sins are Greed, Lust, Wrath, Sloth, Gluttony, Envy and Pride, and here are the resulting photos – have a go at guessing which is which (click the thumbnails to see larger images).